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Our hero is on the quest to become The Greatest Swordsman in the World, an activity which evidently entails fighting through waves of ninja henchman, dispatching the prior Greatest Swordsman (helpfully discovered by subtitles), and lastly killing a baby female. It’s not entirely clear how that last task is even relevant. Luckily, our laconic hero has a conscience, spares the child, and becomes a fugitive pursued by his own clan.
Our hero winds us in America, in a deserted carnival town somewhere in the Badlands mostly. The film soon introduces us to the main one True Love, played by Kate Bosworth. Anyway, our laconic hero settles into his new life, becomes the town’s resident gardener and laundrymen (no really), and falls deeply in love with the jaded femme fatale. Trouble develops, as trouble is won’t to do.
The town is terrorized by “The Colonel” — a lascivious tyrant with cosmetic disfigurement (protected a la “Phantom of the Opera”) and something for clean teeth. In order to beat him and his roguish henchmen, the laconic swordsman is obliged to draw out his weapon and smite them down. Unfortunately, this particular sword is like a homing beacon for ninja assassins, and they also soon arrive to become listed on in the fun and games.
In the wake of “The Matrix,” “Hero” and “300,” it’s hard to even picture a film that may bring some originality in its depictions of stylized assault. This film succeeds, especially in a much-praised scene where in fact the swordsman dispatches the guards beyond your Colonel’s hotel room. The sudden darkness, the strobe-light effects of the bullet holes in the walls, and the frame-by-frame detailing of the action work and impressive.
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The best virtue of the film is in the visuals. It was shot against green-screen entirely, so even in moments of excruciatingly boring dialogue, you are constantly being taken in by the wonderful vistas and breath-taking landscapes. Even in the midst of violence, the film relishes in moments of genuine beauty. Sadly, these moments are marred and married to other moments that are not so beautiful.
For instance, the ending is awful simply. The swordsman is told throughout the film that his nature attracts danger and would put those he loves in harm’s way. So, by the ultimate end of the film, having defeated all enemies, there is no catharsis, no realization that finally he will get serenity here.